An Historically Accurate Political Noir
When a young Mexican man fleeing American Nazis determined to remove Mexicans and Jews from America crashes through his door, a grizzled Spanish-American War veteran must decide — in the time it takes to open or close that door — whether to grant the asylum his country just denied a ship full of Jewish refugees.
BOYLE HEIGHTS 1939 is an historical fiction feature film. Brilliantly using fictional characters to involve facts about NAZIs in America and their Silver Shirt vigilantes before World War II — which reflects the experience of I.C.E. raids in America today — helps patriotic Americans deal with the collective trauma being experienced while enduring the violent I.C.E. raids in Blue cities.
The Boyle Heights community of Los Angeles in 1939 was a very diversified area because of the worst redlining in Los Angeles, with strong Mexican, Jewish, and other cultural and ethnic communities. That diversity attracted the hate and ire of the large NAZI presence in Los Angeles, especially the NAZI Silver Shirt vigilantes who violently enforced the national repatriation drives to remove Mexicans, whether citizens or not, from the USA because they were blamed then, as now again, for taking jobs from deserving white Americans and causing the Great Depression. The NAZI Silver Legion's Silver Shirts, inspired by Hitler and his Brownshirts in NAZI Germany at the beginning of the Holocaust, also attacked Jews to remove them from America (antisemitism was prevalent in pre-World War II America).
NAZIs had a big parade through in November 1938 to celebrate Hitler’s Crystal Night attack on German Jews. The parade leader Hermann Schwinn publicly declared at their parade, “Within five years, we will see Jews dangling from telephone posts and trees!”
That was in Los Angeles, California.
THE STORY: 20-year-old Mexican Juan Ignacio Herrera Martínez, working to send money to his widowed mother and younger siblings in Jalisco MX, was chased by the Silver Shirt surge into Boyle Heights. Terrified and desperate, he dives into an unlocked door to hide. It is the dingy small one-room apartment of 65-year-old Michael Scott Whitney, a white man, a veteran of the Spanish American War.
Michael, armed with his rifle, forces Juan out of his apartment until he hears breaking news on the radio that Jewish refugees were refused asylum in America. He is offended by the news, and recognizes that Juan, too, is a refugee seeking shelter.
He chooses to protect Juan.
The two spend the few days of the NAZI surge together in the cramped apartment, bonding ... which is very unusual for a time when Mexicans and whites never mixed.
Originally, Michael sits watch, protecting Juan.
However, tragedy turns the tables. When Michael has a vicious heart attack, it becomes Juan's turn to protect Michael. Choosing to face possible discovery by the Silver Shirts, Juan seeks help for Michael to keep him alive.
In the end, the heavily-armed Silver Shirts and the lightly-armed Michael and Juan face tragedy.
The feature film screenplay BOYLE HEIGHTS 1939 is a very contained ("two people, one room" concept) script and is available for consideration.